THE INTERNATIONAL PERCUSSION SENSATION
The explosive, inventive, provocative, witty, and utterly unique STOMP returns to Wharton Center! The international sensation will play Wharton Center Friday, March 31 through April 2, 2017, in the Cobb Great Hall as part of The Doctors Company Variety Series at Wharton Center. Tickets are available at the official source: purchase tickets online, at the Auto-Owners Insurance Ticket Office, or by calling 1- 800-WHARTON.
Created by Luke Cresswell and Steve McNicholas, STOMP continues its phenomenal run with four global productions: the ongoing sellout production at New York's Orpheum Theatre, a permanent London company, and North American and European tours. Throughout its life, the show has continued to change by creating new material; this year, it will incorporate two new pieces. It is safe to say you will never again look at supermarket carts or plumbing fixtures the same way…or paint cans, or kitchen sinks or…
STOMP, an overwhelming success marked by rave reviews, numerous awards and sellout engagements, is the winner of an Olivier Award for Best Choreography (London's Tony Award), a New York Obie Award, a Drama Desk Award for Unique Theatre Experience, and a Special Citation from Best Plays.
In addition to the awards for the stage show, STOMP has received an Academy Award nomination, four Emmy nominations and one Emmy Award for their acclaimed HBO special Stomp Out Loud. Noteworthy TV appearances include The London 2012 Olympic Games Closing Ceremony, The Academy Awards (produced by Quincy Jones), Mister Rogers’ Neighborhood, and a series of award-winning international commercials.
The performers “make a rhythm out of anything we can get our hands on that makes a sound,” says co-founder/director Luke Cresswell. A unique combination of percussion, movement and visual comedy, STOMP has created its own inimitable, contemporary form of rhythmic expression: both household and industrial objects find new life as musical instruments in the hands of an idiosyncratic band of body percussionists. It is a journey through sound, a celebration of the everyday and a comic interplay of characters wordlessly communicating through dance and drum.
Synchronized stiff-bristle brooms become a sweeping orchestra; eight Zippo lighters flip open and closed to create a fiery fugue; wooden poles thump and clack in a rhythmic explosion. STOMP uses everything but conventional percussion instruments - dustbins, tea chests, radiator hoses, boots and hubcaps - to fill the stage with a compelling and unique act that is often imitated but never duplicated.
Critics and audiences have raved: “STOMP is as crisp and exuberant as if it had opened yesterday,” says The New York Times. The San Francisco Chronicle declares, “STOMP has a beat that just won’t quit!” The Los Angeles Times exclaims: “Electrifying! Triumphs in the infinite variety of the human experience.” “A phenomenal show! Bashing, crashing, smashing, swishing, banging and kicking – a joyous invention!” says the Chicago Tribune.